Het Christus-mysterie (The Christ Mystery), cover design: La Ruche (1917)
Symbolism had a major impact on Dutch book art. Although the high point of symbolist painting was between 1890 and 1910, Dutch book designers used the same imagery until in the 30s. Their work was highly influenced by the art of Dutch symbolist painters like Jan Toorop and Willem van Konijnenburg. Both worked in a geometric style with stylized figures. Especially Toorop designed many bookbindings himself.
Next generation
The symbolist style was adopted by the next generation of designers, such as Pieter Hofman, Maarten Meuldijk and Wim Wijnman. They combined Symbolism and Art Deco into a new style. The symbolist imagery was used to illustrate novels and all kinds of religious and esoteric publications. Just like in early Symbolism the woman is often depicted as a symbol for higher values. The Christ figure was also a popular motif in late symbolist book design.
See below an overview of the most beautiful late symbolist book bindings…
Pandorra, cover design: Jan Toorop (1919)Muziekgeschiedenis (Music History) , cover design: Willem van Konijnenburg (1932)Sint-Elmsvuur (St. Elmo’s Fire), cover design: Pieter Hofman (1919)Malmström, cover design: Wim Wijnman (1918)Over kunst en kunstenaars 1 (About art and artists 1), cover design: Richard Roland Holst (1923). The pearl diver symbolizes the artist in his quest for beauty.Redelijke religie (Reasonable religion), cover design: Maarten Meuldijk (1923)Over kunst en kunstenaars 2 (About art and artists 2), cover design: Richard Roland Holst (1928).De hoogere zielekrachten (The higher powers of the soul), cover design: André Vlaanderen (1919)Vrouw en moeder (Woman and mother), cover design: Frans Bosen (1929)De wereld van den dans (World of dance), cover design: Jan Bertus Heukelom (1922)Winterboek 1924-25 (Winter book 1924-25), cover design: Chris Lebeau (1924)Liefdedaden (Works of Love), cover design: Jac. Jongert (1919)De profeten van Israël (The prophets of Israel), cover design: Pieter Hofman (1927)Opvoedkundige brochurenreeks No. 28 – Deugdpedagogiek en Kultuurpedagogiek (Educational booklet series No. 28 -. Virtue Pedagogy and Culture Pedagogy), cover design: Toon Ninaber van Eyben (1925)Christelijke kunst (Christian art), cover design: Jan van der Leeuw (1925)Werken van mystieken (Works of mystics), cover design: Jan Louwerse (1932)Verlaine – Het leven van een dichter (Verlaine – The life of a poet), cover design: Pieter Hofman (1927)De ondergang van het Avondland (The Decline of the West), cover design: Pieter Hofman (1925)Late lente (Late spring), cover design: Willy Broggel (1925)Over literatuur (About literature), cover design: Pieter Hofman (1924)Samson, cover design: Wim Wijnman (1918)Socialisme en Wereldbeschouwing (Socialism and World View), cover design: Maarten Meuldijk (1924)Droomwereld (Dreamworld), cover design: Edzard de Groot (1930)Eduard Verkade, cover design: Wim Heskes (1922)Avondrood (Afterglow), cover design: Jan Toorop (1913)Religieus-socialistische vragen – Realistiese religie (Religious socialist questions – Realistic religion), cover design: Maarten Meuldijk (1925)Brieven aan Elisa (Letters to Elisa), cover design: unknownVroomheid (Devotion), cover design: Maarten Meuldijk (approx. 1925)
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